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Aneura (by Yarn)
Mina Mina Large Square Silk Scarf
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$79.70
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Aneura is:
100% Authentic Indigenous artwork
Ethically & sustainably sourced Indigenous art
Supports Indigenous employment & training
Soft, elegant and super versatile, our Square Silk Scarf is the perfect accessory to add that finishing touch to any outfit. Our luxury silk scarves have hand-rolled edges and come in an assortment of Indigenous designs and amazing colours. With endless styling possibilities - they can be worn as a bolero, a headscarf, or a drapey top fastened with a belt around the waist - they are the perfect piece to keep on hand this season!
Style: Large Square Silk Scarf
Fabric: 100% Silk Twill
Dimensions: 90x90cm
Washing: Gently wash in cold water with mild silk-friendly detergent. Rinse in cold water. Ball together to remove excess water. Lay flat on a towel and roll up to absorb lingering moisture. Lay flat to dry in shade.
Artist: Pauline Napangardi Gallagher
Story: Mina Mina
Mina Mina Jukurrpa (Mina mina Dreaming) – Ngalyipi
This ‘Jukurrpa” (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA boarder. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the are is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina.
In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [ Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana])/ It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngam’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to blind cuts.
The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yundumu. When they stopped, the women dug for bush foods like ‘jintiparnts’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.
In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).
This ‘Jukurrpa” (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA boarder. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the are is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina.
In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [ Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana])/ It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngam’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to blind cuts.
The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yundumu. When they stopped, the women dug for bush foods like ‘jintiparnts’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.
In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).
Customer Reviews
5.0 Based on 4 Reviews
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GS
02/07/2022
Gail S. 
AustraliaComing birthday gift
This is a gift for another sister's birthday later in the year. It is top quality, beautiful and colourful. She'll love it too.
CR
01/26/2022
Catherine R. AustraliaMina Mina silk scarf
I just ❤️❤️❤️
CL
01/11/2022
Catherine L. Australiaversatile
excellent. Great colours and design. and lovely material
MT
06/29/2021
Michael T. 
New ZealandExcellent Thank U
MEET THE ARTIST
Pauline Napangardi Gallagher
Aboriginal Warlpiri woman
Pauline has been painting Warlukurlangu Artists since 2006 . She paints her father’s stories – Pikilyi Jukurrpa (Pikilyi Dreaming) and Mina Mina Jukurrpa (Mina Mina Dreaming), Dreamings that relate to her land, its features and animals. Pauline loves colour and uses an unrestricted palette to develop a modern interpretation of her traditional Aboriginal culture.
